A Mended Sternum, Your Silver Hands
Olivia Torres
CW; Drug Use
I.
I wrote a poem about a boy and his ribs and his sternum because I wanted to hide behind his
skeleton, use his spooky-suit as a bomb shelter for the next time a grenade is launched my way.
You cried. You tried to hide -- beneath your colored roots, the beginnings of you which never
see the light of day, a breath, a backwards slide you wish you could spit out, swallow up the
tears away. I let you. Minded my own business in that car -- your car -- pretended not to see the
gray push through your chemical scalp.
II.
Soap trickles down an oak tree
in the woods at 9 AM, looking
like a root made of a witch’s
brew, except less mystic. I don’t
know why there’s bubbles on this bark.
The two labradors on their leashes
couldn’t have cared less, but all
I thought about was how, even
magic, the kind right in front of you
is not enough to draw us in.
III.
I’m folded into a stale crouton on your couch, sick from all of the psychiatric medication, and all I
can hear is you banging a spoon around in a glass filled with coke. When you waltz into the
living room, hand outstretched, I briefly meet you in the air to accept the flattened soda. “This is
what my mother always did for me,” you say. Goddamn. Didn’t realize your mom was a sorcerer,
a warlock who siphoned bombs into safety. I drink, you sit, and the sound of your mended
sternum hums with satisfaction.
IV.
ster·num
/ˈstərnəm/
the breastbone
when I googled “how does a sternum break”
none of the results told me what you did.
none of them cried.
It’s okay.
V.
I didn’t want to make it about me, you said. The poem. Your sternum.
I frowned, resisted the urge to fold the corners of the day in half for you, make the edges a little
rounder, a little more palatable -- the Play-Doh pizza I ate as a child ‘cause Mom said I wasn’t
allowed to. The stare-down as I swallowed each slice.
You didn’t, dumb-dumb.
VI.
It’s like cleaning silver. You know, in the poor way. A pot of water boils on the stove and you lay
a sheet of aluminum on the bottom before dumping all of your jewelry into the stew of metal and
oxygen. Somehow, the aluminum melts off and binds to all of the rings and bracelets we forgot
about. When you take them out again, they sparkle. Your hands, they’re like that.
VII.
It’s 12:41 AM. I’m sloughing off your couch
full of flat coke, decidedly less nauseous.
Keys yell in my hands and you say
I would tell you to text me when you get home
but that would require me to be sincere.
I laugh so hard I snort and double back over
making all of the benzos and mood stabilizers
act up again. You smile with your whole chest
the full tank of mended bones and sinew
vibrating with glee. I call you a gremlin
and then I drive home. Sleep comes
to us the way that coke does:
loud, safe,
controlled,
substance.
Olivia Torres is a queer, ex-fundamentalist, Latina fangirl who hails from a small town in western Massachusetts where the potholes in the roads are so large they have now developed sentience. She received her Bachelor's in English from Westfield State University, with a concentration in writing as a craft. Her work has appeared in the Merrimack Review, the Dandelion Review, and Alyss Literary Journal. In her spare time, she enjoys deconstructing her learned internalized homophobia, being roasted by her tarot cards, braiding her girlfriend's hair, and playing eye-tag with the moon.