Delancy Street Exit
Laura Seldner
The Delancy Street exit off of Route 1&9
is the most beautiful place in the world, very early
on a late spring morning, when
dew rests indifferently on the scrap metal dumpsters
and the overgrown grass splitting the pavement
of the vacant parking lot. Plastic bags snagged
on roadside weeds inflate like lungs,
bloom with exhaust-tinged breeze, like roosters
puffing their chests crowing for morning.
An invisible conveyor belt of airplanes hovers
above the road ascending, descending, screaming
through the sky, almost-but-not-quite grazing
the convex rooftops of every home in Newark
standing in neat little rows,
and Nossa Senhora de Fátima and Virgen María are
open-armed and vigilant outside the homes
standing in neat little rows.
On the opposite side of the street, Continental Trading & Hardware
is as full as the bars will be on Friday night,
as full as Delancy Street will be when it swells
with packs of hatchbacks and coupes screeching and howling
at the moon beneath the insomniac city night sky,
tires clawing pavement until the cops come, all lights and sirens.
I can’t count the number of times I’ve exited
on Delancy Street just like I can't count
the number of times I've gotten drunk in this city
all the times I've become a long-legged animal
teetering down the sidewalk in ankle-snapping heels
enamored with my existence howling at the sky like a hatchback
speeding down Route 1&9 and wanting only to inhabit
some other body in some other place
to live some other existence.
Dear City. City of dreamers. City of beating hearts
from ten thousand places I’ll never see.
To know that this city, this exit, this traffic light
is the only place we’ll all ever share
makes me want to hug each and every
body, if only they’d break, if only they'd wait,
if only they'd let me merge already because
I've been here, at this traffic light,
for what I think is forever. Maybe
I’ll see one of these drivers later. Tomorrow night,
next week, next month. In some rodizio restaurant
or a bar that plays vallenatos, and if we can hear
our voices over the music, we’ll fall
into conversation as easily as the cars
on Delancy Street scrape their fenders against one another
in careless urgency, just enough to change the moment's trajectory
just enough to leave a mark. We’ll step outside for a cigarette,
spring night air luscious in our lungs (only now,
because tomorrow morning the city will be motor oil)
and if our voices can rise above the noise,
all this machine and human, we’ll tell each other
what we already knew before we even opened our mouths,
those things we think make us special.
But tell me again. I love the story of our dreams.
Of loving this place and never wanting to leave
and of longing for nothing more
than to board those planes
whose wings nearly kiss our rooftops,
whose engines split our ears.
Laura Seldner (@lauraseldner) is an emerging writer and poet. Originally from New Jersey, she is a graduate of Rutgers University and has had a range of jobs including delivery driver, bartender, and translator. She is a mother, a wife, and has a passion for nature, art, and life. Her work has been published in Lunch Ticket, Dark Mountain, and Space City Underground, and she has work forthcoming in Olney Magazine, Boundless, and elsewhere.