Rapture
Elizabeth Garcia
They pinch flowers, hunt
sticks with knobby femur
ends, chicken bones
for spoons, a soup of dead
leaves and dirt, discover
a slick muscle carrying
a bone swirl, a helmet, snail
she tries the wet sound
in her mouth, watches it glide
up the post on a current
of light. She smells the tang
of loam, big world made of
old things, feels its whorl,
its aegis, its reliquary
of secrets, and before her
questions can thicken
into thought it drops
to the pavement, brother
tests the force of his baby
foot, feels the crunch
of an egg, an abacus bead,
surrender of sponge, leans
over to learn what wet shape
his power can take. And after
she has stiffened her arms,
wailing, after she has deflated
she turns her bright face up
talks about Jesus,
how he came back—
then curls her hands
into a prayer and watches,
waiting for that slug
to move. And before
I can find the words for what
an eon is, how to let her
down easy, how to believe
in something you only keep
in a closet to lug down
and dust off after funerals,
she has climbed out of that
abyss, her knees rusty
with clay, and run off,
one muscle of present tense,
her hair carrying the light.
Elizabeth Cranford Garcia is the current Poetry Editor for Dialogue: a Journal of Mormon Thought, previous Poetry Editor for Segullah, and a contributor to Fire in the Pasture: 21st Century Mormon Poets. Her work has appeared in a variety of journals and anthologies, and her first chapbook, Stunt Double, was published in 2015 through Finishing Line Press. Her three small children compete with her writing for attention, and usually win.