Anti-grief
Abdulkareem Abdulkareem
My hand has begin to repel writing about grief,
but what do I do when my body is another metaphor
for a border, that grief crosses like scattered
moths from a section of my body to another, &
it sketched itself on my face like a painting of
acrylic on canvas. I count my dead by counting
the lines on my palm, & after each mention it
whets my wounds into a fresh one. When the
morning opens a new book of grief on the library
of this body, I cram the first page with frozen tears
the size of pineapple chunks & when it’s noon I
stare at the sun to keep my body warm from the
cold of grief. Here, they say nobody slips from
the fingers of grief, you are either caught between
its ten fingers or pressed like a foliage into an
Oshibana to create a perfect picture of grief.
& let's assume this poem is flowing like a rivulet
In search of its origin, & I — a caterpillar climbing
a tree branch to spin myself with a chrysalis, to
morph into an airborne thing & wield the power
of the sky. In this space where everything has a
name, I grew like a poplar from my mother &
enter Into a song as a vowel to reverberate between
mouths, to exist as a prominent thing where grief
is trapped in nothingness – to save my body from wilting
like the yellow leaves on a tree ladened by Autumn.
I remember dreaming about peeling my body off grief
with a knife like peeling the skin of an apple, but is this
not an image of grief luring me into masochism?
& What is this masochism If not a mind corroded
by grief? For us swimming inside the Nile of grief,
may the Lord build us an ark to sail out of this grief unscratched.
Abdulkareem Abdulkareem (he/him) is a Nigerian writer, he studies Linguistics at the University of Ilorin, Ilorin, Nigeria. His works appears/forthcoming on Poetrycolumn NND, Shallow Tales Review, Brittle Paper, Ice Floe, Rigorous, Second Chance lit, Olney, WFW Review, Sledgehammer lit, Salamander ink, Afro literary magazine, Lunaris, Kissing Dynamite & elsewhere. He tweets @panini500bc